Thursday, 12 February 2026

In Search of That New Sound

 


In Search of That New Sound

There comes a point in music production where you realise you’re not short of notes…
You’re short of freshness.

As someone who blends science, sailing, video production and music under Philip M Russell Ltd, I’m always asking the same question:

How do you create a sound that feels new — but still musical?


🎛 Layering the Modern Digital Organ & Synth World

In my studio, instruments like the Wersi OAX 800 sit alongside synthesisers and DAWs. The beauty of modern digital systems is flexibility:

  • Layering pads under acoustic-style organ tones

  • Adding subtle rhythmic pulses for energy

  • Using side-chain compression to create movement

  • Combining sampled realism with synthetic textures

A new sound rarely comes from a single patch.
It comes from intentional combination.


🔬 Thinking Like a Scientist

Coming from a physics and chemistry teaching background, I often treat sound design like an experiment:

A sawtooth wave feels bright and aggressive.
A sine wave is pure and clean.
Add modulation and suddenly it breathes.

It’s not random creativity — it’s structured exploration.


🎬 Writing for Film & Education

When producing music for:

…the sound has to serve the message.

A biology video might need a gentle 6/8 pulse — almost like a heartbeat.
A sailing film needs space, wind, motion.
A physics demo might benefit from a slightly mechanical, rhythmic undertone.

The “new sound” isn’t just different — it’s purposeful.


🎧 Analogue Warmth vs Digital Precision

There’s always the debate:

The truth?
The future is probably hybrid.

Use technology as a tool — not a replacement for musicianship.


🚀 Where Does a New Sound Come From?

In my experience, it comes from:

  1. Cross-disciplinary thinking

  2. Borrowing ideas from science and engineering

  3. Listening widely

  4. Experimenting without pressure

  5. Accepting that 90% of experiments won’t make the final cut

But that 10%?
That’s gold.

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