Making a Micro-Documentary on the Gas Laws
Everything that happens before the camera even starts rolling
When people watch a short, polished science video on YouTube or TikTok, it’s easy to assume it was simply a case of “press record and explain the idea.”
In reality, most of the work happens long before a single frame is filmed.
This week’s project at Philip M Russell Ltd was a micro-documentary on the Gas Laws – Boyle’s Law, Charles’ Law and Avogadro’s Law – aimed at GCSE and early A-level students. The real challenge wasn’t the physics; it was designing something that is clear, visual, accurate and engaging in under five minutes.
Here’s what that process actually looks like.
1. Planning the Story (Not Just the Content)
Before writing a script, I decide on the story arc.
For the gas laws, the narrative was simple:
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Gases aren’t mysterious – they behave predictably
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Pressure, volume, temperature and particle number are linked
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You can see these relationships if the experiment is right
That story dictates everything else:
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Which law comes first
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What visual evidence the viewer sees
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Where misconceptions are tackled
This is teaching through evidence, not just explanation.
2. Script Writing – Teaching for the Camera
A teaching script is very different from a lesson plan.
For video:
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Sentences must be short
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Technical terms are introduced only when needed
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Every explanation is paired with a visual action
For example, Boyle’s Law isn’t introduced with an equation first.
Instead, the script cues:
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A syringe being compressed
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A pressure sensor reading rising
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Then the relationship is named and formalised
The script also includes:
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Camera cues
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Cutaway moments
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On-screen text prompts
By the time filming starts, every word is already doing a job.
3. Props and Experiments – Designing for Visibility
Not all “good” experiments work well on camera.
For this documentary, the experiments had to be:
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Safe
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Repeatable
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Visually obvious
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Large enough to read on screen
That meant choosing:
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Large syringes rather than small ones
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Clear balloons instead of opaque tubing
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Digital sensors with readable displays
Experiments were rehearsed several times before filming to check:
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Timing
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Clarity
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Whether the key moment is obvious without narration
If the camera can’t see it, the student won’t understand it.
4. Costumes and Visual Consistency (Yes, Really)
Clothing matters more than most people realise.
Before filming:
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Avoid stripes and tight patterns (they shimmer on camera)
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Neutral colours so props stand out
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Lab coat used deliberately to signal “experiment mode”
This consistency helps students subconsciously understand:
“This is an experiment you could do – not a magic trick.”
It’s part of building trust in the explanation.
5. Why All This Matters
This level of preparation means that when filming starts:
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There’s no improvising key explanations
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Experiments work first time
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The focus stays on learning, not troubleshooting
For students, the result is:
For parents and schools, it means:
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Carefully designed resources
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Not rushed or improvised content
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Teaching that respects how students actually learn
Behind every short science video is a long planning process
And that’s exactly how it should be.

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