Tuesday, 2 December 2025

A Simple Photodiode Project for UV Photography and Video Safety


 

A Simple Photodiode Project for UV Photography and Video Safety

Low-cost UV monitoring to protect eyes, skin and sensors

UV photography is brilliant for science demonstrations, multispectral experiments, and creative imaging — but it brings one unavoidable challenge: UV safety.
Whether you’re photographing sunscreen patterns, checking fluorescence, or experimenting with a multispectral camera, you need to know how much UV light is present.

Commercial UV meters exist, but they can be costly and surprisingly limited.
So at Philip M Russell Ltd, we’ve built a simple Arduino-based UV photodiode monitor using inexpensive components. It gives fast, reliable readings and adds an important safety layer to our UV filming workflow.


Why Monitor UV at All?

UV is invisible — and that makes it dangerous.
Even relatively weak sources can cause:

This matters in:

  • UV photography

  • multispectral camera tests

  • fluorescence experiments

  • mineral/forensic demonstrations

  • outdoor filming in strong sunlight

  • checking the safety of UV torches

  • studio work involving blacklight tubes

Having a little UV “traffic light” on the bench or tripod stand ensures you know when you’re operating safely.


The Core Components

The entire project can be built for under £15, using:

1. A UV photodiode

Common choices:

These respond to UV-A and/or UV-B depending on the model, giving a voltage proportional to UV intensity.

2. Arduino Nano or Uno

Perfect for reading analogue voltages, running simple code, and outputting values over USB or to a small OLED screen.

In order to get it work make sure to divide the output by the ADC of your MCU and multiply with the maximum voltage in mv. Example in Arduino: float sensorValue = analogRead(A0); float sensorVoltage = sensorValue / 1024 * 3.3; float UV_index_float = sensorVoltage / 0.1; int UV_index_rounded = round(UV_index_float);

3. A small display (optional)

An inexpensive 0.96" OLED lets you show:

  • UV index

  • raw millivolt reading

  • safe/unsafe warning

4. A diffuser cap

A small piece of white plastic or PTFE to even out incoming light and avoid directional bias in readings.


How It Works

  1. The photodiode generates a small voltage when exposed to UV.

  2. The amplifier module boosts this into a readable range.

  3. The Arduino samples the voltage and converts it into a UV index or mW/cm² estimate.

  4. A simple threshold triggers a visual or audible warning when UV rises above a safe limit.

Example thresholds:

  • Below 1.0 UVI – safe for long handling

  • 1.0–3.0 UVI – brief exposure only

  • Above 3 UVI – eye protection required

  • Above 5 UVI – stop filming / increase shielding

Perfect for monitoring UV torches, LED strips, BLB tubes, and even sunlight through windows during photography.


Real Uses in Our Studio

We use our UV photodiode monitor to:

  • check UV lamps for intensity

  • verify UV leakage from multispectral setups

  • confirm when a scene is safe for close-up filming

  • protect camera sensors from long-term UV use

  • monitor UV output during sunscreen experiments

  • ensure students in online lessons can see the process safely

  • log UV levels as part of practical demonstrations

It’s particularly helpful when filming fluorescence experiments where the camera is close and multiple UV sources are involved.


Perfect Student Project

This is an excellent cross-curricular piece for GCSE or A-Level students:

They can build, test, calibrate, and improve the device themselves — all using inexpensive parts.


The Takeaway

A simple photodiode UV monitor is a small project with big benefits.
It makes UV photography safer, protects equipment, and provides real data for science lessons and video production.

For a few pounds and an hour of assembly, you get a reliable tool that earns its place in every studio, lab, and classroom.

Monday, 1 December 2025

Prepping for a Drone Flight – Firmware Updates and Battery Checks


 

Prepping for a Drone Flight – Firmware Updates and Battery Checks

Before a drone ever leaves the ground, the real work begins. Whether filming the Thames for pmrsailing.uk, capturing multispectral images for science demos, or shooting B-roll for Philip M Russell Ltd, a safe drone flight depends on thorough preparation.

Two steps matter more than all the rest:
up-to-date firmware and healthy batteries.

Pre-flight checks aren’t exciting, but they are essential — and they prevent 95% of mid-air issues.


Why Firmware Matters

Drone manufacturers constantly release updates to:

  • improve flight stability

  • fix bugs

  • adjust geofencing zones

  • update map data

  • improve image processing and colour

  • patch security vulnerabilities

  • refine battery and power-management behaviour

Flying with outdated firmware risks:

Even small glitches can ruin a flight or compromise safety.

How we handle firmware updates:

  • Check updates the night before, not at the field

  • Update drone + controller + batteries (many drones need all three)

  • Reboot everything once installed

  • Do a test power-on to ensure no errors appear

  • Never update firmware on location unless absolutely necessary — it’s slow and unpredictable

A calm, warm indoor environment is always better than a windy riverside.


Battery Checks – The Hidden Lifesaver

Batteries are the number one point of failure on drones.
A healthy battery means a safe flight; a mismanaged one becomes a very expensive paperweight.

Key battery checks we do before every flight:

  • Charge to full the night before

  • Check for cell imbalance (no cell should drift more than 0.05–0.1 V)

  • Inspect for swelling or softness

  • Confirm cycle count — older batteries need gentler use

  • Pre-warm in cold weather (especially vital on winter Thames shoots)

  • Carry spares, but mark any that behave oddly

On DJI and Autel batteries, we also check:

  • calibration

  • maximum charge setting

  • battery health report inside the app

On the day of the flight:

  • Power the drone on and let the battery “settle” for 20–30 seconds

  • Check the app for any warnings

  • Avoid full-throttle take-off on cold batteries

  • Land early — don't push batteries below 20–25% for routine filming

  • Rotate batteries to keep ageing even

Healthy batteries = longer life + smoother flights + reliable return-to-home.


Additional Pre-Flight Steps

While firmware and batteries are the big ones, our full checklist includes:

  • propeller inspection

  • ND filter installed?

  • camera sensor cleaned

  • SD card formatted

  • geofencing checked

  • weather confirmed (wind especially)

  • NOTAMs reviewed

  • local drone laws checked

  • take-off/landing zone cleared

  • flight route planned with emergency options

It takes a few extra minutes but saves hours of stress — and protects the camera gear in the air.


The Takeaway

Drone flights succeed before take-off.
Firmware updates prevent software surprises.
Battery checks prevent dangerous power drops.
Together, they ensure smooth, safe, reliable flights for science filming, sailing coverage, and educational content.

A drone in the air is only as good as the preparation on the ground.

Sunday, 30 November 2025

Rights & Releases Simplified – Model and Location Permissions for Schools and Clubs

 


Rights & Releases Simplified – Model and Location Permissions for Schools and Clubs

Filming in schools, sailing clubs, science labs, concerts, community events or training sessions brings one big responsibility: permission.
Whenever people — especially children — appear in photos or video, rights and releases become essential. They protect you as the filmmaker, protect the organisation, and protect the people being recorded.

At Philip M Russell Ltd, where we film science lessons, sailing races, concerts, club events and tuition content, clear paperwork keeps everything safe, legal and professional.
Here’s how we keep things simple.


Why Releases Matter

A release form grants you permission to:

  • film a person, group or location

  • use the footage in educational content, YouTube videos, social media, websites or printed materials

  • store the footage in your archive for future projects

  • avoid legal or safeguarding problems later

Without a release, even a single clip can become unusable — especially in schools.



Model Releases – When Filming People

Essential in schools, youth clubs, and sailing clubs

Children cannot legally consent, so parents or guardians must sign.

Model releases cover:

  • permission to appear in photos/videos

  • where the footage can be used (YouTube, websites, press, teaching)

  • duration of permission

  • data protection and storage

  • the right to withdraw consent

Tips for smooth release management

  • Use clear, plain-English wording

  • Offer opt-out options for students who do not wish to appear

  • Keep a register noting who can and cannot be filmed

  • Provide stickers or wristbands for “no photography” cases

  • Brief staff and volunteers before filming begins

This ensures you never accidentally film someone without permission.


Location Releases – Filming at Schools and Clubs

Location releases give you the right to film on private premises and use the footage commercially or educationally.

A good location release includes:

  • name/address of the site

  • the dates you are allowed to film

  • access rights (e.g., classrooms, labs, pontoons, clubhouses)

  • permission to film signs, artworks, branded items

  • rules about not filming confidential or sensitive areas

  • safety and safeguarding requirements

At sailing clubs, marinas, or National Trust areas, you may also need permission to:

  • fly drones

  • film on jetties or pontoons

  • capture other members’ boats

  • record identifiable individuals in the background

Always ask before you start filming.


Keeping It Simple (and Legal)

At Philip M Russell Ltd, our streamlined workflow is:

1. Before the event

  • Send release forms to the organisation

  • Highlight how the footage will be used

  • Provide sample clips so people know the style

2. During filming

  • Keep a printed list of approved students

  • Brief teachers or club officers

  • Use signage stating filming is in progress

  • Avoid filming anyone without consent

3. After filming

  • Store releases with the footage metadata

  • Restrict access to protected or unapproved clips

  • Label “no use” footage clearly

This protects everyone — including future you.


Special Considerations

If in doubt, get it in writing.


The Takeaway

Rights and releases aren’t complicated — you just need a consistent system.
A few clear forms and a good workflow ensure that every photo and video you capture can be used safely, legally, and confidently across websites, YouTube, social media and teaching materials.

Good releases protect you, the organisation and — most importantly — the people you’re filming.

Saturday, 29 November 2025

Budget pH & Conductivity Duo – A Low-Cost Teaching Kit Using Off-the-Shelf Probes and Arduino

 


Budget pH & Conductivity Duo – A Low-Cost Teaching Kit Using Off-the-Shelf Probes and Arduino

Affordable titrations and water-quality testing for real classrooms

Traditional pH meters and conductivity meters are accurate — but expensive, fragile, and often supplied as standalone units that schools struggle to replace. When you’re trying to equip a science lab, run demonstrations, or teach online from a studio, buying multiple commercial units simply isn’t practical.

At Philip M Russell Ltd, we’ve been developing a budget pH + conductivity combo kit using off-the-shelf probes, a simple Arduino, and a set of open-source libraries. The goal is to create a tool that is:

  • affordable

  • easy to repair

  • simple to calibrate

  • robust enough for students

  • flexible for titrations or water-quality investigations

It turns out you can get excellent results for a fraction of the cost.


Why Build Your Own?

Science teaching benefits enormously from cheap, replaceable, modular equipment.
A DIY solution gives you:

1. Low Cost

Commercial meters often cost £80–£300 each.
Our Arduino-based version costs under £40 including both probes.

2. Easy Repairs

Drop it? Spill acid on it?
Replace just the probe — not the whole unit.

3. Modular Design

The same Arduino board can also:

  • log temperature

  • run colour sensors

  • measure dissolved oxygen

  • support environmental monitoring projects

4. Ideal for Student Use

Students can see the electronics, understand the sensor, and even modify the code.

This makes it perfect for GCSE and A Level required practicals, as well as fieldwork.


The Hardware – Simple, Reliable, Replaceable

pH probe

Off-the-shelf BNC pH probes are inexpensive and widely used.
They require:

Conductivity probe

Basic EC probes connect to a small amplifier module.
These give surprisingly good readings for:

  • titrations

  • investigating ionic strength

  • river-water comparison

  • checking tap water hardness

Arduino Uno / Nano

Provides:

  • analogue inputs

  • USB or wireless connection

  • easy integration with laptops or Chromebooks

  • simple coding environment

It uploads data directly to the computer — perfect for plotting titration curves.


Example Experiments the Duo Can Handle

1. pH Titration With Real-Time Graphing

The Arduino outputs pH every second as acid is added.
Students see the equivalence point appear live on the curve — extremely satisfying.

2. Conductivity vs Concentration

A simple, reliable experiment for ionic solutions.
Useful for teaching ions, strong/weak acids, and bonding.

3. Water-Quality Comparison

Measure conductivity in:

  • tap water

  • river water

  • distilled

  • rainwater

  • bottled waters

Great for both Chemistry and Going Green sustainability links.

4. Neutralisation Investigations

Compare:


The Software – Open Source, Easily Modified

We use a simple Arduino sketch that:

  • reads both sensors

  • averages readings to reduce noise

  • outputs values over serial

  • logs data in CSV

  • supports temperature correction for conductivity

Students can see every line of code and adapt it for coursework or projects.


Why This Matters for Teaching

The biggest advantage of a low-cost kit is that students can experiment more often.
Instead of protecting expensive meters, they can:

  • take multiple readings

  • run repeated tests

  • work in groups

  • investigate their own questions

  • build confidence with data

It’s exactly what practical science should be.


The Takeaway

A budget pH & conductivity duo built around an Arduino is:

  • far cheaper than commercial meters

  • flexible and repairable

  • perfectly accurate for classroom work

  • ideal for titrations and environmental studies

  • great for cross-curricular sustainability content

Research and development like this helps us offer better teaching resources without relying on expensive proprietary equipment.

Sometimes the best science kit is the kit you build yourself.

Friday, 28 November 2025

Multi-Cam Sync with Timecode – Using Clapperboards and Tentacle Sync for Perfect Alignment

 


Multi-Cam Sync with Timecode – Using Clapperboards and Tentacle Sync for Perfect Alignment

When filming lessons, science demonstrations, organ performances, or sailing videos, we often run two, three, or even four cameras at once. Multi-camera shooting gives flexibility — wide shots, close-ups, overhead angles, reaction views — but it creates one big challenge:

Everything must sync perfectly in the edit.

A one-second mismatch between angles is obvious.
A half-second mismatch is annoying.
A few frames out can make speech feel uncomfortable and scientific demos look wrong.

At Philip M Russell Ltd, our multi-cam workflow relies on three complementary tools:
timecode, a proper clapperboard, and Tentacle Sync units.
Together, they make synchronisation fast, accurate, and reliable.




Why Sync Matters

When you’re teaching or demonstrating, every detail counts:

  • A chemical colour change needs precise alignment across views

  • Practical explanations must match gestures and objects

  • Multi-angle organ recordings rely on tight audio sync

  • Sailing manoeuvres require frame-accurate timing for clarity

Good sync isn’t cosmetic — it’s essential for educational clarity.


Option 1: Timecode – The Professional Backbone

Timecode is the gold standard.
Each camera and audio recorder “ticks” at the same rate, sharing a master clock.
This means:

  • All cameras start the day aligned

  • Each clip contains embedded timing information

  • Editing software lines everything up automatically

If your cameras support timecode input — like the Canon R5C — it’s the most accurate method available.

Pros:
✔ Frame-accurate
✔ Works through long takes
✔ Perfect for multi-hour recordings
✔ No need for audio matching

Cons:
✖ Not all cameras can receive or generate timecode
✖ Needs additional hardware (unless built-in)


Option 2: The Traditional Clapperboard – Still Essential

Even in 2025, a simple clapperboard remains one of the most useful sync tools.

Why?
Because it gives:

  • a bright visual mark

  • a sharp audio spike

  • an obvious sync point

This is vital when:

  • shooting outdoors

  • audio sources vary between cameras

  • using cameras without timecode

  • filming on a boat or moving platform

A clapperboard ensures you always have a definitive sync reference.

Tip:
Always clap in sight of the cameras — don’t do the clap audio off-screen!


Option 3: Tentacle Sync – The Practical Middle Ground

Tentacle Sync units are small boxes that feed reliable timecode into almost any camera or audio recorder.
They are perfect when:

  • only one camera has built-in timecode

  • action cams (GoPro, Insta360) need matching

  • you want to timecode microphones, mixers, or recorders

  • filming in locations where re-syncing by hand is too slow

Tentacles keep everything locked all day long with surprising accuracy.
Import into DaVinci Resolve, and everything snaps together automatically.

Pros:
✔ Works with almost any camera
✔ Very accurate
✔ Tiny and unobtrusive
✔ Ideal for multi-angle educational videos

Cons:
✖ Requires charging and calibration
✖ Slight learning curve for setup


Our Multi-Cam Sync Workflow

At Philip M Russell Ltd, we use a hybrid approach:

1. Tentacle Sync units

  • Feed timecode to the R5C

  • Feed timecode into action cams and secondary bodies

  • Feed timecode into the main audio recorder

2. Clapperboard at the start of every clip

Even with timecode, it provides:

  • a backup reference

  • alignment for cameras that occasionally drift

  • a check that everything is recording

3. DaVinci Resolve Auto-Sync

Using embedded timecode, Resolve aligns all clips instantly.
If a clip lacks timecode, the clapperboard provides the fallback.

This gives us a workflow that is fast, reliable, and suitable for everything from 6-hour teaching recordings to quick outdoor shoots.


The Takeaway

Multi-cam filming becomes dramatically easier — and the final product far more professional — when you use a structured sync system.

Timecode gives precision.
Clapperboards give clarity.
Tentacle Sync gives flexibility.

Together they make multi-angle filming smoother, faster, and more accurate, whether you’re in the lab, in the studio, or on the river. It doesn't look like you're making a film unless someone has a clapperboard and shouts take 99.

Thursday, 27 November 2025

Event Coverage Without Clutter – How to Move Through Crowds and Still Get Clean Angles

 


Event Coverage Without Clutter – How to Move Through Crowds and Still Get Clean Angles

Covering events — regattas, open days, school performances, organ concerts, club socials, or even busy science fairs — means working in constantly shifting spaces. People move unpredictably, backgrounds get messy, and the perfect shot can disappear in the second it takes someone to step in front of the lens.

At Philip M Russell Ltd, where we regularly film at sailing events, school activities, concerts and club gatherings, the goal is always the same: get clean, usable footage without disrupting the event.

Here’s how we move through crowds smoothly while keeping angles tidy and professional.


Think in Layers, Not Just Subjects

Crowded spaces are full of distracting elements — signs, elbows, bags, bright jackets, swinging arms, and heads popping up at the wrong moment.

A clean shot comes from controlling the layers:

Foreground:

Avoid passing bodies and objects.
Move slightly to one side or change your height.

Midground:

Shift your position until only your subject occupies the central space.

Background:

Look for natural “frames”:

This mindset ensures you’re always watching the whole frame, not just the subject.




Walk the Edges, Not the Centre

In crowded areas:

It keeps you invisible, fast, and able to reach clean angles without squeezing through the crowd.


Change Your Height

One of the simplest tricks:

A 20cm change in height can be the difference between cluttered and perfect.


Use Longer Focal Lengths for Compression

Telephoto lenses help isolate subjects in lively spaces:

  • They blur busy backgrounds

  • Crop out individuals walking across frame

  • Let you stand away from the action

  • Give tighter, more composed shots even in chaos

Brilliant for sailing events, concerts, or large school halls.


Move with Purpose

Crowds react better when they see confidence.

When moving to a new position:

  • hold the camera safely and visibly

  • take a straight, deliberate route

  • avoid hesitation

  • use gentle hand signals if needed

  • give people time to naturally step clear

You’re not pushing through — you’re signalling your intention.


Anticipate Movement

Experience helps you predict where gaps will open:

These natural pauses create clean windows.


Respect the Event

Perhaps the most important rule:

The event is not about you — you’re there to record.

Stay low-impact, quiet and out of the way.
Clean angles don’t count if you ruin someone else’s experience.


The Takeaway

Filming clean angles in a crowd isn’t luck — it’s technique.
By controlling layers, changing height, using longer lenses, walking natural edges and anticipating movement, you can capture professional footage without interrupting the event.

Whether it’s regatta coverage, school productions, organ concerts or science fairs, a calm, thoughtful approach will always get you the cleanest shots.